"Every morning when I wake up still under the hood of the sky, I feel that for me is New Year.
because I hate New Year's Eve with a fixed maturity that make life and the human spirit a trading company with its good balance sheet, and its budget and the budget for the new management. They lose a sense of continuity of life and spirit. You end up seriously believe that in years and years there is a solution of continuity and a news story that begins, and intentions and make us repent of nonsense, and so on. etc.. It is generally a wrong dates.
They say that history is the backbone of the story, and it may be accepted. But we must also admit that there are four or five key dates, which any decent person keeps stuck in the brain, who played the tricks to the story. They are also the New Year. The new year of Roman history, or the Middle Ages, or the modern age. And they became so intrusive and so fossilizzanti we surprise ourselves sometimes to think that life has begun in Italy in 752, and 0 1490 1492, are like mountains that humanity has spread suddenly emerging into a new world, entering a new life. So the date becomes a burden, a guardrail that prevents us from seeing that the story continues to unfold with the same basic line unchanged, without any sudden stops, as when the tear film to the cinema and has a range of dazzling light.
because I hate the new year. I want every morning is a new year for me. Every day I deal with myself, and renewed every day. No day planned for the rest. Stops me choose me, when I'm drunk with busy lives and want to take a dip in the animal in order to draw new strength. No spiritual joists. Every hour of my life I was new, while referring back to the delay. No day of triumph for collective rhymes, in common with all the strangers that do not interest me. Why did they acclaim the grandparents of our grandparents and so on., Should we feel the need of the blaze. All This stomach. "
THURSDAY 9 from 11 to 13 .. "Between Satire and information": meeting with Sergio Staino from 13.30 to 14.30 .. "Communication and its manipulation," Professor Del Gobbo, A1 FRIDAY 10 from 11 to 13 .. "Biography of a researcher, Prof. Causarano, A5 from 14 to 16 .. "Italy seen by Leopardi," Prof. Camiciottoli, A4
2 November 2010, at 18>-concert meeting with Deborah Kooperman
November 23 2010, ore 18>-concert meeting with Angelo 'Leadbelly' Rossi
L'idea
«All you can write is what you see.»
Il punto di partenza di Storie Acustiche potrebbe essere semplicemente questo, un frammento rubato da un dialogo con la musica durato per tutta una vita, quella di Woody Guthrie. La sua storia personale era iniziata nel 1912, in Oklahoma, segnata da fatalità, disgrazie familiari e da un inquieto bisogno di osservare il mondo per capirlo. Negli anni della great depression e del dust bowl , rimasto solo, aveva percorso con la sua chitarra la Route 66 accettando qualsiasi piccolo lavoro, componendo e suonando, fino al 1937, anno in cui aveva difficoltosamente raggiunto Los Angeles e trovato lavoro presso una radio locale. Da quel momento la sua storia è diventata la storia di molti (pensiamo in modo particolare a This Land is Your Land ), his voice has been able to tell the dust of the roads, fatigue and change in subsequent years, even reaching New York. In short, "I write what I see, what I saw, what I hope to see, somewhere in a faraway place."
Stories , then, as the song is always the story, is bound to screw events, speaks of continuity and disruption, and the clear intuition, realizing an individual dimension that is never closed in itself, but designed to be metabolized by other known and constantly.
Acoustic , in particular, an attitude narrative that unfolds in the best possible vibration of the strings and voice, in the alchemy of wood and water, preventing further mediation. Tales acoustic paths that cross two deep, that of folk and that of blues, and two lives that this has much to do.
If an artist writes what he sees, if it sounds that collected the stories, then write and includes the history and its transformations, in one way or another.
Guests
Koopermann Deborah was born in upstate New York, from a farming family with a passion for music. In the 60s he moved to Greenwich Village and began to sing, accompanying himself on guitar, even in places frequented by the then unknown Bob Dylan, Richie Evans, Jose Feliciano and John Sebastian. Arrives in Italy in '68 with a scholarship to the Conservatory of Bologna, a city in which Frank Sinatra knows with whom he founded, together with other musicians, Osteria delle Dame. In the 70s he wrote their own songs and joins the tour by Lucio Dalla. Fingerpicking guitar, his repertoire ranges from folk to blues, from ballads to the typical sounds of traditional black and white American. Currently, in addition to present itself as a singer and guitarist, he directs the Choir of Woodstock Villafranca di Verona, directed a school of modern music and runs a shop tools music. His latest album is Yesterday Tomorrow 2006.
Angelo 'Leadbelly' Rossi born in the province of Varese, Gallarate. After the first musical in the '70s and '80s began to approach seriously the deep roots of the blues to understand it, do it right, and interpret it for Christmas. The collaboration with bluesman Larry Johnson has been instrumental to the tremendous human and musical value. Marine Department, editor of The Blues , defines "Alchemist", "for this singer, guitarist and harmonica player has been able to create a personal style of music that ended up being a quality brand. If you have lived together in his soul the British and American blues-rock of the '60s and the hypnotic boogie of John Lee Hooker, were the sounds of the hills of North Mississippi (used with humility and love in the numerous pilgrimages made in those areas) to provide the lifeblood by which Angelo has taken steps to merge the different languages, giving rise to that his down home blues still unique in Italy. "His latest album I Do not Want to take nothing with me when I 'm gone was published in 2006.
Tales
Deborah Kooperman - Wind Of War
Angelo 'Leadbelly' Rossi - No Good Rider
Meetings-concert will take place at the ' University of Verona, in' Classroom 2.1 , in collaboration with the Department of Art, Archaeology, History and Society.
In Italy has been ongoing for a year heavy and widespread attack on the rights of the weaker classes in a project of weakening and destruction of tissue social. It's time to say enough is enough! It is time to act in a compact, to give life to the routes of collective struggle. We believe it is necessary to reconstitute a bond and a bond between the student struggles, the struggles of all the reality of work, and not poor, and those who commonly consider it necessary to reconstruct the social opposition to the policies of this government and policies of blackmail industrialists. For these reasons, such as left-wing students and we will adhere to the streets October 16, the event launched by the FIOM - the CGIL. We believe it is important for all of us students take to the streets to demand our right to study, today openly attacked the government is using the funding cuts for school, university and research, both through the Bill Gelmini, which assigns the livelihood of the University to entities other than the state. We want to claim the right to quality education at all levels, with no restrictions on access. To know how to defend the common good, to claim a training really public, that focuses on students, rather than logical baronial and profit. By an ignorant, fascist government like the present, so hard to attack the institution of the university is the best way to suppress any groped for the development of a critical consciousness and all forms of dissent. We organize the Bus to Rome starting at 9:00 am Sashall 7 € a / r For reservations: Simone 3333748885 leftist students http://www.studentidisinistra.org
SGUARDI SU BABELE: CINEFORUM IN LINGUA ALL'UNIVERSITA' DI TORINO
SGUARDI SU BABELE
Il Collettivo di Lingue dell'Università di Torino presenta: Sguardi Su Babele, un Cineforum in Lingua che si svolgerà all'interno dell'università a partire da ottobre 2010 e proseguirà con cadenza bisettimanale per tutto il primo semestre. Presenteremo film e documentari riguardanti realtà sociali provenienti da ogni angolo del mondo, ideati e creati da cineasti che appartengono a quella realtà.
Li proietteremo in lingua rigorosamente originale (sottotitolati in italiano) per immergerci nei suoni propri degli altri popoli. Attraverso questa diversità ci troveremo a confrontarci con gli interrogativi universali della riflessione umana.
Gli esperti, anche internazionali, che saranno presenti ci aiuteranno a capire la realtà “lontana” trattata di volta in volta rendendo possibile un nostro avvicinamento.
Pensiamo infatti che, se da una parte i mezzi di comunicazione rendono il mondo sempre più piccolo, permettendoci di posare lo sguardo su immagini che arrivano da ogni angolo del globo, dall’altra parte proprio queste immagini, se non sono guidate da una riflessione profonda, perdono their meaning. In this reflection is essential to the appreciation of diversity, as an added value of humanity.
Use the appreciation of diversity, to be able to overcome differences.
why we chose 10 geographical areas and languages, and each one addressing various topics film, which closely affect the contemporary society in the world, from the Israeli-Palestinian immigration from American Health to murder of Anna Politkovskaya. Private affairs and distant from us will take us to universal ideas.
The initiative, made possible by Edisu Piedmont, is open to all students who are benefiting from them to participate in its organization.
Cineforum Collective Language is Zero Impact ®. Emissions of CO2 have been offset by contributing to the creation and protection of forest growth.
For info refer to the Facebook page of the group of languages, that of Babel and Glimpses at: http://www.myspace.com/551814461
The Collective Redshift expresses its full solidarity with migrants in the CPA Elmas (CA) who have rebelled their unjust detention!
The Hospitality Centre are in our view of prisons for innocent and who is detained has our full support when it considers necessary to try to escape or revolt for better conditions.
and our solidarity is even greater if we look at ourselves specchio, perché il Collettivo è composto principalmente da Fisici, soprattutto studenti, che nel futuro, con alta probabilità, saranno costretti a cercare lavoro all'estero perché la nostra nazione di nascita, l'Italia, è (molto) arretrata dal punto di vista culturale rispetto al resto d'Europa. Quindi, pur senza voler paragonare la nostra situazione a quella dei migranti africani, ne paragoniamo virtualmente il percorso: da una nazione arretrata in cui non si può trovare un lavoro che serva a sopravvivere loro emigrano verso nuovi lidi che promettono (manifestamente) condizioni migliori.
E se noi non verremo incarcerati nell'entrare in un paese straniero per cercare lavoro, questo avviene solo per historical reasons. Because Italy has been for centuries quell'imperialismo that has made poor countries from which migrants come to us come from.
in Italian society, the common people, what are the values \u200b\u200band ambitions? This guy has very clear ideas . The projection of Videocracy
and its discussion are scheduled for Tuesday, October 12, 2010 , at 17 A in the classroom of the Physics Department of Montserrat. NB: the date and time of the appointment are subject to change.
In the penultimate Faculty Council, the researchers announced that they are in a state of agitation for the imminent approval of the university reform . after the stress of student representatives, convened a meeting open to all members of the university-students, teachers, administrative staff etc. ...-, not corporate, to discuss the reform and decide together what the best ACTIONS to be continued. THE SUNSET UNIVERSITY 'AND' THE DOORS! Join the crowd! WEDNESDAY 'July 20 13:00 48 LAURA STREET HALL A6
For the month of June we have designed a series of meetings that allow you to move your eyes on publishing world, by comparison with professionals from different backgrounds to discover the locations of publications and try to explore the mechanisms that regulate the publishing market . The meetings would also be an opportunity for dialogue for students in an attempt to identify possible employment opportunities. The
first meeting with Dr. Claudia Evans (Editor Carocci) will be held on June 7, 2010 unedo, the 15.00 , in the Aula of the Department of Art, Archaeology, History and Society (third floor of the Palace of Arts).
The second meeting, with Dr. . Frédéric Ieva (Editor Utet) will be held on June 21, 2010 unedo, the 15.00 , in the Aula of the Department of Art, Archaeology, History and Society (third floor of the Palace of Arts) .
The meetings will be carried out in collaboration with the Department of Art, Archaeology, History and Society and the contribution of the University of Verona.
's vocation is writing a blog. Stories history would be a user-friendly space on meetings and seminars are organized, but also a page to read, committed yet informal. It may happen that the blank page is unsettling: you have to ignore the feeling of emptiness and put something down on paper.
We are fortunate to publish a incipit, very personal for this page. Staff but at the same time. Read and believe.
pseudo REFLECTIONS A SERIAL SGE . Les Annales (Paul Perantoni)
October 2009. With the most complete and innocent happiness, holding the card that identified me as a neo-matriculated SGE, started my new college experience. Of course, there was still three years to put a thesis paper - "Paul, we want to do with this argument?" - "Do not worry Professor: I have everything in mind, I solo scrivere!”. Nonostante questo, la voglia di frequentare lezioni finalmente diverse da quelle della triennale era tale da farmi trascinare nel vortice SGE. (Forse un tunnel, più che un vortice).
Frequentando le scarne lezioni del primo semestre una cosa mi era chiara: nonostante avessi fatto un curriculum storico mi pareva di non aver mai letto nulla di significativo in materia. Veramente troppi i libri fondamentali per una consapevolezza storica di base , troppo poco il tempo per leggerli solo per cultura personale! Come se già fossero pochi i testi in programma per affrontare un esame: ma sì, già che ci siamo mettiamocene qualche more so, "so much for culture."
Steps' s Apology History Bloch, a small book, small, inexpensive, nice writing, one can not help reading it and, given its size, it is widely acceptable. What then, I do not know about you, but Bloch has fascinated me. Let's be clear: I do not like men (and, it was, Bloch was not Johnny Depp), but his life was truly an adventure. I can imagine me with his bike, turn the country roads of Strasbourg and at some point - tac - stops. For the first time seeing those fields in a different way - in a certain diachronic - and realizes that follow the medieval structure. I just see him with those whiskers, is busy writing books for many brilliant insights, and with rifle in hand, ready to defend their country invaded. And then its fine, worthy of an epic hero greek: How can you not be impressed? Very well - then at least read kings and miracle workers Feudal Society. Useful for a scholar of modern history? Not really, but it's worth, are well written.
then abandon the beautiful image of Bloch and Let's go deeper into the Annales school. Incidentally, if there is a word that the first-year students can not hear anymore, it's "Annales". Whatever lesson you follow, any professor is talking about whatever topic is being dealt with at that moment, one thing is certain: everything leads to the Annals! And so, as refrain from reading Civilizations and empires of the Mediterranean in the Age of Philip II, Braudel ? Opera gigantic scary just to browse the index. What's more, you stop even thinking that this thesis is derived from Braudel: the series "how to make you feel a protozoan, you, young hopefuls, with your miserable essay that will never change anything in the landscape studies.
The same is true for all books by Le Goff, author of more monumental, much more verbose of his classmates. What to read? Mah in doubt, leggiamoli all (just a life?) And remember that "the document is a monument" - yes, whatever. Scroll down the list and further add to the pile of books that accumulates too mercilessly Civilization and History of trivial things Braudel and Roche, respectively, to understand that we can study objects too humble, because after all history is made fragments. These are actually read them to me, more for the sake of argument that for fun.
Already, the idea sooner or later must also write that - "Remember that missing little Paul! "- as if I did not know already. But are we really sure you want to talk about ceramics in the modern age? Would not it be interesting to stay in their small and friendly village in the province, perhaps by studying the historical development, demographic and urban development. "Nice idea, because you do not read Montillaou Le Roy Ladurie?" - (Slight moment of hesitation) "Well, but no." The Unbearable awareness of being a freshman is this: the enormity of regret of all knowledge, and apologize Duby Furet, and finally return to the microcosm of the thesis, which continues to claim.
Thursday, June 10 at 11:00 am in the auditorium of the Via Laura 48 will be held the Exhibition of the collective, will take the principal Prof.Simonetta Ulivieri, Professor of film history Tognolotti Clare, the director and Tommaso Maccari Malquori all the guys from the Collective.
Our country is like a tree. Our country is like a Christmas tree. Our country is like a fake Christmas tree, covered with colored lights under which there is an inanimate pile of plastic to make the entire building, our whole country.
What a country living? Of all things, research, economics, social policy. What lives in a tree? Water, light and air. What is going through a plastic tree? He does not need anything, just not alive.
Our country, or plastic tree if you prefer, simply does not live.
We see social policies completely inappropriate. This is evident by the success of political parties like the Northern League, Forza Nuova and Pound House controlled by individuals who define ignorant would be an understatement, with an opening mental, equal to that of a constipated anus of a child. Why were not enough Cota and Zaia and their campaign against the RU486 pill, the repeated racist attacks towards immigrants and non-soap as anti-immigrant in Arezzo, slogans against the 'Unity' Italy and South, were not enough events in Remembrance Day of the Republic of Salò greetings with fascists and Celtic, the constant accusations from the Premier about politically active judges, the scandal of the giggles Bertolaso \u200b\u200band entire families who have humiliated and yet still has the same Bertolaso \u200b\u200bnot going to resign, this was not enough. L 'yet another kick to our country and our intelligence has come from Minister former minister, Scajola and his home overlooking the Colosseum with a network of contacts and favors that reaches the Vatican. All in a day climate of ignorance, as the boys are an example of Forza Nuova Mass this morning questioned a group of women shouting pro-abortion pill, "so that Stupratele abortions."
We see cuts in research inexplicable and totally inappropriate. Because the 133 was not enough last year that gave a clean break in the life of 'public university, not enough repression to the sound of batons against students who manifestafano his dissent, were not enough the continuing attacks by the government to all student associations, even this' year the government and the elusive DDL Gelmini, as in the song of Morandi-Ruggeri-Tozzi "You can give more," he gave his best with new cuts to fund normal operation, a new policy to privatize the 'public university become weary and tired, the 'umpteenth revision on the assumptions, the figure of the researcher who is now increasingly penalized for several years, going to forget that it is thanks to researchers if this rag of a public university still stand.
this is seen by 'economy and how it is managed. In a Europe that is falling apart, with the euro, which drops below $ 1.30 and a crisis of the global system, with riots, clashes and events in every little corner of Athens, with Spain and Portugal ready to confront this reality, a plan to safeguard € 720 billion that has only given a breath of fresh air to the international stock exchanges collapsed by now, our country it seems immune. Because despite all feel this crisis, our government still has doubts about its very existence! Why is not it true that unemployment is rising as Confindustria says that the complaint only 200 thousand new unemployed in the south, it is true that fixed-term contracts destroy any future expectation, it is true that the GDP in the last 3 years decreased by 6, 5% as the Bank of Italy says it is not true that 2010 was a year defined nero per la cassa integrazione con un impennata di domande del 123,5% rispetto al 2009, non è vero niente! La speranza è la cura contro la crisi, mica le riforme!
Ecco perchè il nostro Paese è un albero di Natale finto. Perchè non ha bisogno di acqua per vivere, cioè non ha bisogno di ricerca e innovazione per tirare avanti e crescere forte, la base di ogni Paese industrializzato. E' composto da finti aghi verdi e rigogliosi, cioè dai nostri politici di bella presenza, delle volte nemmeno quella, e di poca sostanza, capaci di smentire un intero dibattito in tempi record, di negare l'evidenza dei fatti e "capaci di mandare tutto a puttane pur di salvarsi la dignità mondana" (Rino Gaetano - Titititi), consists of a trunk was old and dark but that does not give in, that all individuals-chair that they have no intention of leaving his place to a newly-arrived condemning them to a 'fugitive from justice administration increasingly towards the real problems and the same over the years. Our country is a fake, falling prices and that is crumbling more each day, strong and handsome only from 'outside, but inside plastic and irrevocably dead. Ours is a country that can only be saved with a total review the political, social and economic life.
University's Assembly against the death of the public university
university reforms of recent years destroy the public university and in particular small universities as to Cagliari.
• Cuts to Fund Operation • Full hiring freeze • Destruction of the post of Assistant • Criteria for allocating funds penalizing • Setting corporate management
The University of Cagliari for the Academic Year entrant will be forced to close almost all the master and some of three years. Cagliari is just one example of what happens in a few years on a national scale.
Researchers have already begun their protest. We students do not want to suffer passively. They are killing the
nostro futuro! E' ora di reagire!
Partecipate numerosi. Per confermare la partecipazione su facebook, cliccate qui .
Some interesting initiatives, including proposals for the School of Graduate Studies in Humanities:
May 12, 2010, University of Verona Department of Art, Archaeology, History and Society A few words
contemporanea della Sapienza-Università di Roma. Specialista della storia politica, intellettuale e socioculturale della Francia fra Antico Regime e Restaurazione si è occupata segnatamente di censura teatrale e della produzione stampata, di scrittura, pubblicazione e pratiche di lettura come anche della storiografia ottocentesca sulla Rivoluzione francese. Principali pubblicazioni: Politica del teatro e teatro della politica: censura, partiti e opinione pubblica a Parigi ne
l primo Ottocento , Milano, Unicopli, 2008; Marché du livre, censure et littérature clandestine dans la France de l'époque napoléonienne: les années 1810-1814 , in «Annales historiques de la Révolution française », 1-2006; " The monarchy impossible ": a report on the opposition press in France of Charles X , in" Size and problems of historical research, "1-2006; not only Madame de Stael : femmes auteurs, censorship and book market in France Bonaparte, in "Historical Studies", n. 4 / 2008.
May 26, 2010, University of Verona
Department of Art, Archaeology, History and Society A few words Take shape in the Italy of the Counter-reading and transposition of the Monte Aigne key skeptical, especially of the Essais and 's Apology, the Book of Essays philosophically more exposed, and that n on a case is published in Italy, Venice, in part, as a 'corps detach' (1634). My paper focuses on the seventeenth, circulation and the influence exerted by the French thinker circuits libertines of Padua and Venice. During Setttecento at a critical interpretation and skeptics en philosophe thought montaigne , replaces a closer particularly 'political' of its profile - already in mind, however, in Sarpi -, resulting in a refund c he thinks resulted from the subversive Servitude volontaire of La Boétie. The topic discussed here of resistance to tyranny, plutarchea ancestry, as was shown by Nicola Panichi, connects Montaigne - conceiving the project, inexpletum , to give to the press Servitude volontaire - to Alfieri. In Del Prince and letters , Alfieri sees in ' isosthenia skeptical - equidistant from the opposing views, because it does not conform to decide wisely - a tactic in order to loosen the mesh dell'asservimento al potere, postulando una radice in fondo politica di un’attutudine teoretica. Secondo il dettato del Principe e delle lettere , Montaigne, per non soggiacere alla coercizione di Chiesa e Stato, si sarebbe fatto schermo proprio del pirronismo: «Montaigne, [...] dalle due tirannidi e principesca e pretesca si sottrasse anche dietro alla scorza del pirronismo, e di un certo molle faceto, che tutti i suoi scritti veramente filosofici avviluppa, senza punto contaminarli». Alfieri torna a uno stadio archeologico dell’esercizio di scepsi, richiamandosi alla filosofia antica, e tralasciando la mediazione scolastica della dottrina della doppia verità (al principio della doppia verità pare del resto richiamarsi Montaigne in their professions of submission to the Magisterium of the Church in theology). The reference to the mental and rhetorical device, based on the decoupling of formal submission to the authority of the Church and simultaneous adherence to the truth "appropriate", marks the history of the fortune of Montaigne in the seventeenth century libertine, characterized precisely by the gap between professed allegiance to a heteronomous authority and libertas philosophandi .
